My work does not begin with subjects.
It begins with attention. I do not stage situations. I enter them. What interests me is not the visible surface of a moment, but the underlying tension that holds it together — posture under pressure, silence within noise, distance within proximity.
Resonance is not an aesthetic effect.
It is a condition.
The use of wide-angle lenses is deliberate. Proximity alters dynamics. It removes observational safety and demands involvement. The frame becomes a shared space rather than a distant record.
Light is treated as structure, not decoration. It organizes space, reveals hierarchy, and defines psychological weight.
Technology remains secondary.
Precision without perception produces emptiness.
